"TOMBSTONE NARRATION - from the script"
ROLL PROLOGUE OVER MAIN TITLE: a collage of old photos, prints.
etc., and silent live-action vignettes, all dark and heavily shadowed like
a dimly-remembered dream. The first images show the opulence of the Gilded
Age. the epic vistas of the west, cattle drives and cowtowns with all their
violence...
V.O. NARRATION
"The economic explosion following the Civil war created an
unprecedented nation-wide market for beef. Previously worthless
cattle running wild throughout Texas were gathered into herds
and driven north to the railheads in Kansas. Fortunes were made as
cowtowns sprang up on the prairies, wide-open centers-of commerce
and vice, their streets choked with heavily-armed young men fresh
from the cattle drives. In those days the correct term for a
cowhand was 'drover'.
'Cowboy', like 'cowpoke', was originally an insult implying deviant
Sexuality and was rarely used. But these invading drovers were a wild
breed for soon shootings and wholesale drunken riots became so frequent
that ordinary citizens literally could not walk down the street. In
fact at their height the cowtowns had higher murder rates than modern
New York or Los Angeles and there was no law but that of the gun."
A dashing FIGURE in a prince Albert coat appears, long locks tumbling down his
shoulders, twin Navy Colts thrust into a red sash at his waist, a tin star on
his chest. Next we see him in action.downing 3 barroom opponents at once, pistols FLASHING around the room like a strobe light:
V.O. NARRATION
"Straight-up at 75 yards or eye to-eye at point-blank range, the
greatest gunman of all time was an Illinois abolitionist farm boy
named James Butler Hickok, better known as wild Bill, the prince of
Pistoleers. But Wild Bill worked his trade on the side of justice and
as marshal of cowtowns like Rays City and Abilene he became a legend,
the one man who stood between law and chaos."
Now Hickok sits facing us, playing poker as a shabby-looking figure with a gun
steals up behind him and FIRES.....
V.O. NARRATION
"Wild Bill's fame spread nation wide but his end came quietly in the
spring of '76 when a strange cross-eyed little drifter put a bullet
through the back of his head, apparently for no other reason than he
wanted to kill a celebrity."
Now a group of cowhands carouse on a street corner, raising hell as 2 mustached
young LAWMEN walk up, trying to quiet them down.
V.O. NARRATION
"In Dodge City meanwhile, Wyatt Earp and Bat Masterson were becoming
known as fast-guns, But their fame had nothing to do with shooting."
Seeing it's hopeless, the lawmen whip out their pistols and start clubbing the
drovers, making them stagger and grimace, holding their heads....
V.O. NARRATION
'Earp and Masterson operated more like modern policemen, using teamwork
and persuasion to keep order. Still, sometimes things got out of hand.
An ARMED DROVER creeps up behind the lawmen, about to fire....
V.O. NARRATION
"But Wyatt had a guardian angel."
A REED-THIN FIGURE with a sawed-off shotgun steps from the shadows behind the
drover and FIRES. The huge blast WHITES-OUT the screen for an instant, making
the drover seem to disappear. The lawmen spin around. The thin man breaks the
shotgun open then calmly holds out his wrists to be cuffed. Earp looks at him
in shock, mouthing the word 'thanks'.
V.O. NARRATION
"John Henry 'Doc' Holliday was the son of an aristocratic, highly
cultured southern family. Trained in Philadelphia, he had embarked
on a career as a society dentist when he contracted tuberculosis.
Advised to practice in the west where it was thought the climate
and clean air would prolong his life, Doc soon realized it was all
only a matter of time and gave up dentistry to become a professional
gambler and gunman."
The scene shifts to an elegant Victorian home: a stern Jewish patriarch orders
his darkly beautiful DAUGHTER upstairs as her weeping mother looks on. The girl
huffs up the stairs followed by her little white dog. Next, girl and dog are seen escaping through a window to the street below and a waiting cab.
V.O. NARRATION
"Others headed east. Bent on becoming an actress, Josephine Marcus defied
her wealthy and very proper San Francisco Jewish family to run away with a
traveling theatrical company, braving the perils of the frontier on her own.
Dangerous as this might seem, it was another age and women were so rare, their presence so cherished that they could travel virtually anywhere in the west in
perfect safety.
Now we see HORSEMEN silhouetted against the night sky, a hand knocking on a door,
figures conferring in darkness, then more riders, moving west in restless haste
toward the rising sun....
V.O. NARRATION
"At about this time the Texas Rangers, having eliminated the Commanche
threat, turned their attention to the outlaw gangs marauding along the Rio
Grande, cleaning up the border strip in 4 years of hard riding. Those they
could not indict or convict the Rangers put down in their Black Book,
letting it be known that they could either leave Texas or face summary
execution This resulted in the mass migration of the absolute dregs of the
Texas underworld to the most dangerous, uncivilized part of the entire
country, the southeast corner of the Arizona Territory."
A jagged, moonlit landscape, a lone prospector and his burro moving along a ridge,
a pick digging into a rocky ledge, an ore car emerging from a mine shaft, finally
a hilltop cluster of tents becoming the skeletal wood-frame beginnings of a town....
V.O. NARRATION
"Harsh and inhospitable, savaged in turn by the Apache and Mexican
bandits. this had always been an accursed place, a virtual hell on
earth where it was thought life itself could never prosper, much less
civilization. Then in 1879, a prospector named Ed Schiefflin set off
alone in the Dragoon Mountains. Friends told him he was crazy, that
the only thing he'd find in this Godforsaken place would be his
Tombstone. Instead he found silver, lots of it, and overnight the
town of Tombstone sprang up. Mining interests moved in and began
taking out millions in ore. Land value shot sky-high and specu-
lators and gamblers and opportunists of all nations scrambled in
by the thousands to make Tombstone queen of the boomtowns, so rich
that the latest Paris fashions, hard to find even in the biggest
cities, were sold there by the wagonload from makeshift storefronts."
An engraving of a stagecoach holdup, herds of cattle moving north, a newspaper
story of a massacre in Mexico, congressmen railing at each other, shaking their fists....
V.O. NARRATION
"Meanwhile, the exiled Texans had banded together to form the nucleus
of an organized gang. Seizing control of the surrounding countryside
they robbed stagecoaches at will while the big absentee business interests
employed them as tax collectors and strong-arm men. But the backbone
of their trade remained border rustling, periodic raids into Mexico to
steal cattle while engaging in what was described as a virtual orgy of
murder and violence. The raids became so frequent and so bloody that
the Mexican government formally protested to U.S. President Chester A.
Arthur, prompting heated debate in congress. General Sherman declared
that the only possible way of bringing order was to send in the army but
in the wake of Civil war Reconstruction federal intervention in civilian
affairs was politically impossible."
Pounding hooves. flowing manes, a pack of night-riding HORSEMEN kicking hell-
for-leather across the desert moonscape....
V.O. NARRATION
"With only some 100 members, the gang was an elite body of gunmen,
known by the red silk sashes they wore around their waists. Fiercely
proud of their terrifying reputation and answerable to no one, they were
a law unto themselves, finally emerging as one of the earliest examples
in American history of full-scale organized crime..
END MAIN TITLE - as the screen fades to an ominous black and....
V.O. NARRATION
'They called themselves the "Cowboys".
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